Theatre Of The World

Theatre Of The World

Frances A. Yates / Oct 18, 2019

Theatre Of The World Originally published in Theatre of the World is the third book in a series extending and refining arguments put forth in Frances Yates s masterworks Giordano Bruno and the Hermetic Tradition

  • Title: Theatre Of The World
  • Author: Frances A. Yates
  • ISBN: 9780710063700
  • Page: 136
  • Format: Unknown Binding
  • Originally published in 1969, Theatre of the World is the third book in a series, extending and refining arguments put forth in Frances Yates s masterworks Giordano Bruno and the Hermetic Tradition 1964 and The Art of Memory 1966 Here, Yates explores the influence of Vitruvius s works in late Tudor and Jacobean England, particularly in their relation to Renaissance phOriginally published in 1969, Theatre of the World is the third book in a series, extending and refining arguments put forth in Frances Yates s masterworks Giordano Bruno and the Hermetic Tradition 1964 and The Art of Memory 1966 Here, Yates explores the influence of Vitruvius s works in late Tudor and Jacobean England, particularly in their relation to Renaissance philosophy and outlook The book centers on John Dee and Robert Fludd, with special reference to evidence in their works of Vitruvian ideas Yates discusses the Renaissance revival of the classical author and examines the English public theater as one of the products of the Vitruvian movement She suggests that the London public theatres, including the Globe, were an adaptation of the ancient theatre as described by Vitruvius that is, a theatre with cosmological proportions From this daring vantage point, it is possible to situate Shakespeare s Globe Theatre within the context of great European movements, as the expression of a Renaissance outlook on man and the universe Though no attempt is made to reconstruct the Globe Theatre, fresh approaches to the problems of its ground plan and its stage are outlined Above all, it is the idea of the Globe, the meaning of the theatre, which Yates seeks to interpret by placing it in new contexts As she does in all her writings, Yates illuminates, deepens, and broadens our understanding of the currents and undercurrents of Renaissance thought Praise for the author Among those who have explored the intellectual world of the sixteenth century no one in England can rival Miss Yates.Wherever she looks, she illuminates Hugh Trevor Roper, The New Statesman

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      136 Frances A. Yates
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    About "Frances A. Yates"

      • Frances A. Yates

        Dame Frances Amelia Yates DBE FBA was an English historian who focused on the study of the Renaissance In an academic capacity, she taught at the Warburg Institute of the University of London for many years, and also wrote a number of seminal books on the subject of esoteric history.Yates was born to a middle class family in Portsmouth, and was largely self educated, before attaining a BA and MA in French at the University College, London She began to publish her research in scholarly journals and academic books, focusing on 16th century theatre and the life of John Florio In 1941, she was employed by the Warburg Institute, and began to work on what she termed Warburgian history , emphasising a pan European and inter disciplinary approach to historiography.In 1964 she published Giordano Bruno and the Hermetic Tradition, an examination of Bruno, which came to be seen as her most significant publication In this book, she emphasised the role of Hermeticism in Bruno s works, and the role that magic and mysticism played in Renaissance thinking She wrote extensively on the occult or Neoplatonic philosophies of the Renaissance.


    718 Comments

    1. Fundamental book about elizabethan theatre. Involves you in the tough world of making theatre in 1600. At the some time, one can understand the meaning of "classical": why and how the antiquity (Vitruvius for example) was such an important reference toRenaissance people.



    2. Interesting, academic read. Important context for those of us who enjoy watching the Bard's work on stage. I think I may finally understand "The Tempest".


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