The Black Atlantic: Modernity and Double-Consciousness

The Black Atlantic: Modernity and Double-Consciousness

Paul Gilroy / Jul 20, 2019

The Black Atlantic Modernity and Double Consciousness Afrocentrism Eurocentrism Caribbean Studies British Studies To the forces of cultural nationalism hunkered down in their camps this bold hook sounds a liberating call There is Paul Gilroy tells us

  • Title: The Black Atlantic: Modernity and Double-Consciousness
  • Author: Paul Gilroy
  • ISBN: 9780674076068
  • Page: 407
  • Format: Paperback
  • Afrocentrism Eurocentrism Caribbean Studies British Studies To the forces of cultural nationalism hunkered down in their camps, this bold hook sounds a liberating call There is, Paul Gilroy tells us, a culture that is not specifically African, American, Caribbean, or British, but all of these at once, a black Atlantic culture whose themes and techniques transcend ethnAfrocentrism Eurocentrism Caribbean Studies British Studies To the forces of cultural nationalism hunkered down in their camps, this bold hook sounds a liberating call There is, Paul Gilroy tells us, a culture that is not specifically African, American, Caribbean, or British, but all of these at once, a black Atlantic culture whose themes and techniques transcend ethnicity and nationality to produce something new and, until now, unremarked Challenging the practices and assumptions of cultural studies, The Black Atlantic also complicates and enriches our understanding of modernism.Debates about postmodernism have cast an unfashionable pall over questions of historical periodization Gilroy bucks this trend by arguing that the development of black culture in the Americas arid Europe is a historical experience which can be called modern for a number of clear and specific reasons For Hegel, the dialectic of master and slave was integral to modernity, and Gilroy considers the implications of this idea for a transatlantic culture In search of a poetics reflecting the politics and history of this culture, he takes us on a transatlantic tour of the music that, for centuries, has transmitted racial messages and feeling around the world, from the Jubilee Singers in the nineteenth century to Jimi Hendrix to rap He also explores this internationalism as it is manifested in black writing from the double consciousness of W E B Du Bois to the double vision of Richard Wright to the compelling voice of Toni Morrison.In a final tour de force, Gilroy exposes the shared contours of black and Jewish concepts of diaspora in order both to establish a theoretical basis for healing rifts between blacks and Jews in contemporary culture and to further define the central theme of his book that blacks have shaped a nationalism, if not a nation, within the shared culture of the black Atlantic.

    The Black Atlantic Modernity and Double The Black Atlantic is a wonderful chapter in the global intellectual history of the next century Drawing on work in many disciplines, Gilroy provides a vivid alternative to The Black Atlantic band History The Black Atlantic is a Groningen based acoustic pop band formed around singer and songwriter Geert van der Velde, former frontman for American metalcore group Shai Hulud The Black Atlantic released their debut album Reverence for Fallen Trees digitally for free worldwide on August , . The Black Atlantic The Black Atlantic The Black Atlantic Modernity and Double Consciousness is a history book about a distinct black Atlantic culture that incorporated elements from African, American, British, and Caribbean cultures It was written by Paul Gilroy and was published by Harvard University Press and Verso Books Applying W E B. The Black Atlantic Notes on the Thought of Paul Gilroy The Black Atlantic Notes on the Thought of Paul Gilroy Gilroy s thought pursues a particular critique of Eurocentric accounts of the development of capitalist modernity the first chapter is titled, The Black Atlantic as a Counterculture of Modernity in which slavery plays a crucial role, since, in Gilroy s words, Music The Black Atlantic The Black Atlantic is a band formed around singer and songwriter Geert van der Velde, from the Netherlands. The Black Atlantic Full Episode Video The Black Atlantic explores the truly global experiences that created the African American people Beginning a full century before the first documented slaves arrived at Jamestown, Virginia, the The Black Atlantic Modernity and Double Consciousness The Black Atlantic Modernity and Double Consciousness Guardian Afrocentrism, Eurocentrism, Caribbean Studies To the forces of cultural nationalism trapped in their respective camps, this bold book sounds like a liberating call There is, Paul Gilroy tells us, a culture that is not specifically African, American, Caribbean, or British, Black Atlantic Encyclopedia BLACK ATLANTIC In writing The Black Atlantic Modernity and Double Consciousness , Paul Gilroy sought to devise a theoretical approach to understanding race that encompassed three crucial elements First, the idea of race as fluid and ever changing, rather than static second, the idea of race as a transnational and intercultural, The Black Atlantic I Shall Cross This River YouTube Mar , I Shall Cross This River by The Black Atlantic The last track on their record Reverence For Fallen Trees available on iTunes and at TheBlackAtlantic. The African Americans Many Rivers to Cross Episode The Jul , The Black Atlantic explores the global experiences that created the African American people Beginning a century before the first documented and odd slaves who arrived at Jamestown

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    208 Comments

    1. This is one of those books you wish you could have read when it first came out. I know Gilroy's been done to death, and the term "black Atlantic" doesn't have quite as much academic suction as it used to, but the transnationalism espoused by this book is a must read for anyone involved in the study of humanities (not to mention its retheorizing). What I most enjoyed were Gilroy's reclamation of forgotten corners of scholarship. His views on Richard Wright's European labors were especially refres [...]


    2. i went to a dark place reading this. it always happens when i enter this strain of thought. it is helpful to think of this book as being in conversation with fred moten's *in the break* and saidiya hartman's *scenes of subjection.* thinking back, my impression is that moten is less pessimistic about the situation caused by the commodity than paul gilroy when thinking here about richard wright. at this moment i still kind of feel that frank wilderson takes gilroy's precedent too far, and i don't [...]


    3. Read this for my undergraduate History thesis. His discussion of authenticity as measured as the distance from codes of minstrrelsy was particularly salient to my discussion of Paul Robeson as a performer.


    4. Right now no book is influencing my thinking and scholarship as much as this one.A must-read for people interested in African-American Studies, Caribbean Studies, studies of popular music, Transnational Americas, the African Diaspora, post-colonial studies or anything like that.


    5. This is about as an enlightening book as it is confusing. This is a paradigm shifting book in the field of Af-Am studies, and is very Foucaultian in its free-form incorporation of philosophy, history, and popular culture. A way to think about the Black Atlantic without using nationality or race. It complicates Dubois' double consciousness. Idea of the nation within the nation is not tenable. Gilroy doesn't want to get rid of "blackness" entirely however, as he locates the unifying factor of the [...]



    6. While the overall concept of "the black Atlantic" was quite innovative and helpful to approaching issues of transnational culture, this book was difficult to get through due to dense language and its rich diversity of cultural resources: popular music, black intellectuals' biographies, literature, etc. The basic concept takes issue with racial constructions of culture defined by national boundaries. As the 17th and 18th centuries' slave trade broke down national borders for Africans who were tra [...]


    7. Employing literary techniques to critique the nationalist and ethnic focus of cultural studies, Gilroy analyzes a range of texts, authors, and artists as seemingly discordant as W.E.B. Du Bois and Jimi Hendrix, Richard Wright and 2 Live Crew, revealing not only the significant black intellectual history and role of black slavery and oppression that have fueled modernity despite being largely absent from the academic record, but also the inescapable hybridity, instability, and continual change of [...]


    8. "How do black expressive cultures practice remembrance? How is their remembering socially organised? How is this active remembrance associated with a distinctive and disjunctive temporality of the subordinated? How are this temporality and historicity constructed and marked out publicly?" (212). These are just a sampling of the incredibly insightful questions Gilroy raises in his dense, thoughtful, and critical work. As this work has shaped the last 20 years of critical race theory, it's an impo [...]


    9. Gilroy is seen by some as the guy who reminded Cultural Studies that race is essential to consider when analyzing culture. His argument is that Black culture is an inherently diasporic beast, and his book underlines the ways in which seemingly nationalistic developments were always already influenced by transatlantic cultural flows. He emphasizes how Black culture also borrows from but never entirely adopts Western culture, making it a kind of countercultural movement, and works to demonstrate h [...]


    10. El colonizador produce al colonizado como negación, pero, mediante un giro dialéctico, esa identidad colonizada negativa es negada a su vez, para fundar el Yo colonizador positivo. El pensamiento europeo moderno y el Yo moderno están ambos unidos necesariamente a lo que Paul Gilroy llamó “la interrelación entre el terror racial y la subordinación”. 26 Los dorados monumentos de las ciudades europeas y también del pensamiento europeo moderno están fundados sobre la íntima lucha dialé [...]


    11. This is a great book with an important message concerning the writing of cultural history, but I gave it 4 stars because I have a problem with books that advocate large-scale change but are unnecessarily written in a way that makes it inaccessible to a large audience. The concepts Gilroy discusses, such as the double-identity of black Europeans, slavery as a reminder that history does not equal progress and the modern black identity that arose in the Atlantic outside of national/ethnic bounds, d [...]


    12. Afrocentrism. Eurocentrism. Caribbean Studies. British Studies. To the forces of cultural nationalism hunkered down in their camps, this bold hook sounds a liberating call. There is, Paul Gilroy tells us, a culture that is not specifically African, American, Caribbean, or British, but all of these at once, a black Atlantic culture whose themes and techniques transcend ethnicity and nationality to produce something new and, until now, unremarked. Challenging the practices and assumptions of cultu [...]


    13. Surely the worst book ever written about a great idea. The chapter on Wright was pretty good, the chapter on Dubois and 'Hegel' possibly the worst I've ever read, mainly because Gilroy seems to have followed the Althusser approach to analysis of philosophical argument, that is, not reading the book (Hegel's Phenomenology) he's talking about. Vastly influential, unreadable and unconvincing- but that central idea was a great one.


    14. good book, whose central thesis needs to be expanded to truly be a great book. Gilroy said it was heuristic in nature and a setting of the stage for future theoretical developments. These will have to include a holistic approach of the black atlanic that does not just talk about the USA, and the anglophone caribbean but includes the black histories and narrartives of the hispanophone carribbean, brazil, and the rest of south america.(Gilroy is illuminary in his treatment of black music)


    15. The relation of intersecting global African Diaspora communities to 'double consciousness' seemed to get lost in his discourse of Black cultures. I've decided, however to read all of Richard Wright.


    16. This is an important and nuanced book. Unfortunately, I also found it entirely unreadable -- and I have read a lot of theory. It's definitely on the opaque end of the spectrum, to the point where I could barely follow the author's argument. I wish it was written with more clarity and less jargon.


    17. Fantastic analytical work on the African diaspora by an English scholar, Paul Gilroy. Highly intense, requiring a bit more than a basic understanding of the African slave trade. Not a book for the casual reader, but for those looking at understanding modern racial relations need search no longer.


    18. brilliant. this book changed the way i understand racism, modernity, hybridity and diaspora. a great reworking of the heavies: w.e.b. dubois and richard wright. gilroy makes connections and opens avenues of inquiry that are exhilirating.



    19. The influence of this book well precedes it, yet the intro (in particular) remains fresh and challenging to comfortable assumptions that continue to persist.



    20. A must-have.The cornerstone of recent post-colonial studies, opening the way to such books as the "Many Headed Hydra" from Linebaugh & Rediker.


    21. Great but dense! I read it for class, so my copy has lots of marginalia! It is a must read for critical race theory and the like.







    22. This book opens up my mind about the Atlantic diaspora and the slavery in general, and the culture resulting from both situation. Very interesting!


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