Jean Epstein: Corporeal Cinema and Film PhilosophyChristophe Wall-Romana / Jun 26, 2019
Jean Epstein Corporeal Cinema and Film Philosophy If cinema can be approached as poetry and philosophy it is because of Jean Epstein Cocteau Bu uel who was his assistant Hitchcock Pasolini and Godard and theoreticians Kracauer Deleuze and Ranc
If cinema can be approached as poetry and philosophy, it is because of Jean Epstein Cocteau, Bu uel who was his assistant , Hitchcock, Pasolini and Godard, and theoreticians Kracauer, Deleuze and Ranci re are directly influenced by Epstein s pioneering film work, writings, and concepts This book is the first in English to examine his oeuvre comprehensively.An avant gardIf cinema can be approached as poetry and philosophy, it is because of Jean Epstein Cocteau, Bu uel who was his assistant , Hitchcock, Pasolini and Godard, and theoreticians Kracauer, Deleuze and Ranci re are directly influenced by Epstein s pioneering film work, writings, and concepts This book is the first in English to examine his oeuvre comprehensively.An avant garde artist and an anti elitist intellectual, Epstein wanted to craft moments of pure transformative cinema Using familiar genres melodramas and documentaries he hoped to heal viewers of all classes and hasten social utopia A lover of cinema as cognitive and sensorial technology, and a poet of the screen, he pushed cinematography as photog nie towards the experimental sublime, through daring close ups, rhythmic montage, slow motion, even reverse motion Polish born, half Jewish, and the author of a treatise on homosexuality, Epstein has been unfairly relegated to the shadows of film history This book restores him to the limelight of interwar world cinema, on a par with Renoir, Lang, Capra and Eisenstein.
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[PDF] ↠ Unlimited ☆ Jean Epstein: Corporeal Cinema and Film Philosophy : by Christophe Wall-Romana Ï 405 Christophe Wall-Romana
Title: [PDF] ↠ Unlimited ☆ Jean Epstein: Corporeal Cinema and Film Philosophy : by Christophe Wall-Romana Ï